First up is the Christian Bauman novel In Hoboken. It’s the story of Thatcher, a young folk singer recently discharged from the army, who moves in with his friend James in Hoboken (of course). The book chronicles Thatcher and the people he meets, including members of the music community and Orris, a mental patient who at times feels like the most real character.
Overall, I found the book well written and enjoyable, but the plot ambles along never really going anywhere. It ends kind of flat, failing to wrap up or even address some of the issues in the characters’ lives.
The second thing I’ve been reading is Marvel’s title, Secret Warriors.
Nick Fury has discovered that the only person he can trust is himself and it’s kind of crazy awesome. So far we’ve had a new team of young heroes, Skrulls, and Hydra. I like how this book is trolling the back alleys of Marvel’s Dark Reign. I’m hoping to see this book cross over into the rest of the Marvel universe (and vice versa). It would be great to see Captain America and others all show up.
Well, off to the pile of comic books and books remaining.
I almost forgot to mention, I recently also finished Stewart O’Nan’s a Prayer for the Dying. A beautiful but heartbreaking book that can be difficult to read. Essentially it’s a tale of a small town after the U.S. Civil War that experiences a diphtheria outbreak and is threatened by wildfires. Written in the second person, the book grapples with the moral implications of what must be done and then often asks, how do you live with it?
Overall, this is one of the best books I’ve read in the past year or so. That being said, there were times I had to put it down. What happens throughout the story is sometimes depressing and disheartening. Not only do you feel for Jacob, the main character, but you cringe as you feel the novel’s world sliding slowly out of control.
That being said, I’m starting to really admire O’Nan and his writing. He can change voice, style, and subject so easily from book to book, yet still manages to produce great work.
Movie Review: Juno
21 01 2009So last night, our TiVo presented us with the darling of the film world, Juno. About half way through this movie, I felt compelled to write something about how it made me feel. Let me start by saying that I don’t get what all the buzz was about. While Juno was technically a well shot movie, the writing was horrific and that just ruined it all.
First, the dialog between the teen characters was the most annoying thing I’d ever heard in my life. First, I don’t believe that teens talk that way today. Secondly, I felt like the movie was trying so hard to be hip and cool that none of the characters had conversations that amounted to anything.
The characters in the movie were horrific. Between the teenagers who seemed incredibly smart and dumb at the same time and the portrayal of Gen-X adults as shallow and borderline pedophilic, I found myself repulsed by nearly all of the paper-thin characters. The only actor who seemed to rise above the limited writing was J.K. Simmons.
The thing that disturbed me greatly, wasn’t how the movie depicted teen pregnancy, it was that there wasn’t a real emotion or situation in the entire script. Diablo Cody has written a screenplay that, while cutesy and cheeky, has none of the truth or real emotion she seems to think it contains. It also contains an incredibly weak portrayal of pregnancy. As my wife pointed out, some of the facts presented were just wrong.
I have no idea why critics loved this movie. The performances were fine, but the source material was really limited. The quick fire, “witty” dialog attempts to hide the sins of the plot and characterization.
To top it off, the music in this movie was the worst I’ve ever heard. It seems like it’s a collection of the worst played indie rock from the last five years.
I’d avoid this movie. Just read some of the other reviews here.
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Tags: diablo cody, ellen page, film, jason bateman, jennifer garner, jk simmons, juno, michael cera, movie, nominated, oscar, pan, pregnancy, review
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